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  Angel Heart (1987)  
  Rating: (5/10) (1 votes)
 
   
General:
Directors: Alan Parker
   
Writers: Alan Parker
William Hjortsberg
   
OMDB: 0017107
Genre: Horror, Mystery, Thriller
Country: USA, Canada, UK
Language: English, French
Duration: 113 min
   
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 Cast: (all known cast)

Mickey Rourke Harold R. 'Harry' Angel
Robert De Niro Louis Cyphre
Lisa Bonet Epiphany Proudfoot
Charlotte Rampling Margaret Krusemark
Brownie McGhee Toots Sweet
Stocker Fontelieu Ethan Krusemark
Michael Higgins Dr. Albert Fowler
Elizabeth Whitcraft Connie
Eliott Keener Sterne
Charles Gordone Spider Simpson, Bandleader
Dann Florek Herman Winesap
Kathleen Wilhoite Nurse
George Buck Izzy
Judith Drake Izzy's Wife
Gerald Orange Pastor John
 Awards: (awards this movie has receieved)

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 Wikipedia: (detailed information about this entry from Wikipedia)

Angel Heart
Directed by Alan Parker
Produced by Elliott Kastner
Alan Marshall
Written by William Hjortsberg novel Falling Angel
Alan Parker
Starring Mickey Rourke
Robert De Niro
Lisa Bonet
Charlotte Rampling
Distributed by TriStar Pictures
Release date 1987
Running time 113 minutes
Language English
Budget $17,000,000 (estimated)
IMDb profile

Angel Heart is a 1987 horror movie written and directed by Alan Parker, starring Mickey Rourke, Lisa Bonet and Robert De Niro. The film is adapted from the novel Falling Angel by William Hjortsberg. The film is generally faithful to the novel, but it has a more somber tone.

An atmospheric film, Angel Heart combines elements of film noir and horror.

Plot overview

Rourke plays Harry Angel, a private investigator in 1950s' New York City. Louis Cyphre (De Niro) hires Angel to locate Johnny Favorite, a popular big band crooner who was severely injured in World War II and hospitalized with profound brain damage. Cyphre discovers that the hospital falsified Favorite's records, and wants Angel to find out what happened, as Favorite owed a debt to Cyphre.

But there's more to the case than initially appears, as the debt in question is Favorite's soul, and Cyphre is not human – his very name, Louis Cyphre, is a play on words, sounding like Lucifer when said out loud. His true objective is strongly depicted by the "egg" scene, in which Cyphre eats, with great zeal, an egg – after remarking that in many cultures it represents the soul.

Angel delves into a world of voodoo and satanism and grows increasingly worried for his own safety and sanity. As Harry Angel discovers more and more the truth behind Favorite's fate, he experiences flashbacks of satanic rituals, a black mass and a string of murders. He meets Epiphany Proudfoot (Bonet), daughter of a voodoo practitioner who knew Favorite. Notable is the film's disturbing twist ending, in which Angel must finally face the fact that he is Johnny Favorite himself, having abducted and, through a satanic ritual, taken the place and identity of the original Harry Angel, a random soldier returning from the war. It is only after he realizes this that Cyphre can claim what is his. During the end credits, there is a lengthy montage of Angel descending in a rackety old elevator, apparently on his way to Hell.

Rourke's effective performance anchors the film. DeNiro offers a memorable performance in an atypical role, as a refined but palpably sinister character reportedly based on Martin Scorsese's mannerisms. Charlotte Rampling and blues singer Brownie McGhee are memorable in their rather small roles.

Response

Angel Heart gained attention and controversy even before its release. Bonet was previously known for her role on the family-oriented The Cosby Show, and her extended, graphic love scene with Rourke required being trimmed of several seconds to secure the film an 'R' rating on initial release.

Rumors blamed the controversy for Bonet's departure from the Cosby Show, though a few years later she starred in another Cosby-produced program, A Different World.

Angel Heart received mixed reviews, and wasn't especially successful financially, just about breaking even. [1]

After being released on home video, however, Angel Heart became something of a cult film, known for its spooky tone, excellent cinematography (by Michael Seresin), a sad and spooky score (by Trevor Jones), and unusual (but effective) blend of genres.

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